<\/a>I’ve done a couple projects with rayon velvet in the past several months – first the Ezio tailcoat lining<\/a>, and later a kimono jacket that I made for a Christmas present – and sometimes I could swear that fabric is possessed. It\u00a0likes to creep when you try to mash two layers together at the seams, with the result that the upper layer scoots\u00a0in one direction while the lower makes a break for it in the other. Basting is more or less mandatory, but even holding the fabric still while you thrash it into submission with hand stitches can be challenging\u2014and then it still<\/em> creeps, because hand stitches don\u2019t flatten\u00a0the pile the way machine stitches do. And of course you can\u2019t press the stuff properly unless you shell out $$$ for a needle board to protect the pile. (Yeah, I\u2019m a jerk and\u00a0haven\u2019t gotten around to buying\u00a0one. If this means I have to spend hours understitching things by hand then WHOOPS OH WELL SO SAD.)<\/p>\n Mind you, I still love the hell out of the final results. It\u2019s soft and fluid in a way I\u2019ve never gotten from synthetic velvets, you can do interesting stamping and embossing things, it weathers beautifully, and the pile and drape make it pretty forgiving of wobbly seams. Besides, I’ve already stashed away about six yards for a pirate coat I’ve been contemplating, and I’m trying to be better about not buying a lot of fabric I’ll never get around to using. I really want to try\u00a0combining velvet and embroidery, and have been going on 18th-century court costume pinning sprees<\/a>. Yeah, I totally have time to do something like that!<\/p>\n <\/p>\n